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The creative challenge was scale. Sixty seconds of narrative meant a significant expansion of the world — new characters, new environments, and enough detail in every corner to sell the contrast between an impersonal hotel packed with strangers and a sleepy, rustic cottage blanketed in snow. With that many assets requiring design attention, the real discipline was coherence: making sure everything from the embroidery on Santa's coat to the granite of the concierge desk was pulling in the same narrative direction.
As design director, I led the visual development across every environment and character, drawing on years of fluency in a visual language I'd helped build. The film ran online, on social media, and in movie theaters across the holiday season.